The image created about the artist and the enviroment that surround him, a case study of the movie "the comediant" by Gabriel Nuncio and Rodrigo Guardiola


Authors

DOI:

https://doi.org/10.22517/25393812.25019

Abstract

The objective of this article is to abord how it is that society formulates and chains people who seek in art their form of expression and their desire of life, based on the ideas of art and the concept of artist according to Emmanuel Kant and Pierre Bourdieu using as case of study the film El Comediante (The Commediant) directed by Nuncio and Guardiola (2021).

Downloads

Download data is not yet available.

References

Bourdieu, P. (1971). Sociología del arte. Argentina: Ediciones Nueva Visión.

Bourdieu, P. (2010). El sentido social del gusto, elementos para una sociología de la cultura. Argentina: Siglo XXI editores.

Kant, E. (1876). Crítica del juicio, seguida de las observaciones sobre el asentamiento de lo bello y lo sublime. Madrid: Librerías de Francisco Iravedra, Antonio Novo.

Morin, E. (1990). Introducción al pensamiento complejo. Barcelona: Gedisa

Nuncio, G.& Guardiola, R. (Directores). 2021. El comediante [Película]. Panorama Global & Agencia Bengala.

Downloads

Published

2022-06-30

How to Cite

García Macías, O. (2022). The image created about the artist and the enviroment that surround him, a case study of the movie "the comediant" by Gabriel Nuncio and Rodrigo Guardiola. Miradas, 17(1), 64–74. https://doi.org/10.22517/25393812.25019

Issue

Vol. 17 No. 1 (2022): Revista Miradas

Section

Miradas Journal